www.youtube.com/watch?v=8w9C__D0iP4

In Shell Shocked, Barkin/Selissen Project chose to use Ubatuba and Sleep Trips and Falls from our album Genetics as a musical backdrop to their exploration of the different aspects of people’s short and long term responses to traumatic events.

You can watch an excerpt of Shell Shocked on Vimeo. Ubatuba starts at the 5:20 mark. I would suggest watching the whole thing though, it’s pretty interesting.

Peace and Music,
Agua Trip

http://www.youtube.com/aguatrip

Also, you can view images from the show on this site, in our events section.

And why not check it out? It’s free to download!

http://www.aguatrip.com/books/

Great, isn’t it? We think so.

Genetics: A Visual Songbook, the companion art book for Genetics, is also available to download at no cost.

Though it’s free for your enjoyment, we still appreciate your support, and we give you numerous ways to help us bring you new music at our Support Page.

And make sure to read the license, so you know what you can make with our music.

Happy listening!!!

We have two songs and an album up for a 2009 AMMA Award.  If you want to see us take home these awards, please vote for our music, at http://www.jotform.com/form/83562028201.

Click on all three AGUA TRIP entries on the same form:

AGUA TRIP – Genetics – Album of the year
AGUA TRIP – Little Life – Reggae song of the year
AGUA TRIP – In the Sand – Song of the Year

and Submit the form.

To avoid any surprises, AMMA stands for “American Marijuana Music Awards”. You don’t need to give them any personal information if you don’t want to. Their site isn’t dangerous.

Thanks for your support!!   PLEASE TELL ALL YOUR FRIENDS TO VOTE TOO.

___________________________________________________________

Music | November 19, 2008 – 8:52pm

Defying All Musical Expectations,

Agua Trip’s Music Holds Water

by Arielle Concilio

With a name like Agua Trip, a wary listener might expect a ’60s psychedelic-experimental band straight out of Haight-Ashbury.

In actuality, Agua Trip’s music sounds nothing like this, but instead hints at a wide array of familiar genres, simultaneously sounding like a little of everything, and like nothing you’ve ever heard before.

“We don’t fit in any genre,” said Lindsey Boise, one of the founding members.
The band met in 2000 at Austin Peay State University in Clarksville, Tenn., and consists of Boise, who was a student there, and Bill Carrasco, who was a professor. “I just went right up to him, started talking about music, and was like, ‘Let’s make a band!’” said Carrasco. The duo immediately began playing together and recorded their first demo, Baseado. In 2002, they decided to move to New York. Carrasco’s sister lived there, and her dance troupe was interested in buying and using Agua Trip’s music for classes. Agua Trip soon began playing at venues and benefits around the city, including a couple of gigs at Barnard-where Carrasco now works as a science-internship coordinator. They released their first album, Breakfast Translations, in 2005.

“Our music has a lot of layers to it,” said Boise, “it’s constantly shifting.” According to Carrasco, their sound ranges from “world influence” to alternative, pop, rock, and Latin, and their influences include the Beatles, Ben Harper, and Manu Chao. Much of this musical inspiration relates to the band’s musical experiences growing up. Carrasco first picked up guitar while living in Mexico, and cites Mexican culture as a major source of creativity. He grew up listening to Mexican folk music, while Boise grew up with a father in the music business who hand-made his first guitar. Both also have an affinity for foreign tongues-Carrasco speaks Spanish, French, and Portuguese, and Boise speaks French, German, and even a little Ancient Greek. Their music captures this passion for foreign cultures, which may be heard in the melodic mandolin of the song “When the Furious Leaves,” and syncopated rhythm of reggae tune “Little Life.”

Both of these songs, from Breakfast Translations, are “less chorus-heavy,” said Boise, than the new album Genetics, released two weeks ago. On the new album, “we do these weird sound collages … We didn’t care about the bass being consistent,” Boise continued. As Carrasco put it, the album has a “more light and positive feeling.”

Though the band experimented with new stylistic techniques on Genetics, one aspect that has remained prominent is collaboration. “When we record, it’s mostly me and Bill, but after, we bring in other people and have jam sessions,” said Boise. Many friends and fellow musicians are also invited to perform at shows with the band. Some of them were featured at the album-release concert at the Sage Theater on Nov. 5. For the event, Agua Trip asked other artists to work with them in creating an individual piece of art for each song on Genetics to create a visual songbook and make the music “come more alive,” said Boise. Each piece of artwork is currently being auctioned off of the Agua Trip Web site, with half of the proceeds being donated to Connect, a New York City-based, non-profit organization dedicated to ending gender violence.

In addition, the band organized an event in 2006 called the Moveable Feast, a showcase of artists, musicians, and writers who all came together to support one another’s work. Agua Trip believes self-promotion is the best way to get music heard, and they apply this philosophy consistently. “We do all the songwriting, the recording, the mixing, the publicity, everything,” explained Carrasco. “We’re trying to create our own network,” Boise said.

While the band remains unsigned, Boise and Carrasco have differing opinions on obtaining a record contract. Carrasco would “love to [sign with a label] if given the opportunity,” while Boise believes the duo is “self-sufficient enough without one,” and would only consider signing “depending on how much creative freedom they would allow us.”

Either way, the two both hope that their music will inspire and satisfy its listeners. And, record deal or no record deal, Agua Trip has no plans to stop making music any time soon.

Listen: www.aguatrip.com/genetics.php

Genetics will be available soon on iTunes and other MP3 sites.

The event was also the unveiling of the first Agua Trip book project, Genetics: A Visual Songbook, designed by our good friend Esther L. Kim. There was also an exhibition of all the original pieces of art included in the book, which were graciously donated to the Fundraiser by 20 international artists. There was also a Silent Auction, giving all the attendees the opportunity to own a piece of this beautiful and historic collaboration.

CONNECT was there in full force, organizing a raffle with astounding prizes, decorating the stage with beautiful saris, supplying really tasty food, and talking about their work, which you can read about at connectnyc.org

We want to thank all of CONNECT’s staff and friends for coming out to the event and supporting our music. We want to thank all of Agua Trip’s friends, old and new, who brought us their smiles. We always appreciate the friendship and support. We want to thank Devon at Sage Theater. We want to thank Tom for taking on the monumental task of running our sound on such short notice. We want to thank all the artists in Genetics: A Visual Songbook and Esther L. Kim for designing and producing the book for us. We also want to thank the musicians. We are honored to have performed our music with some very talented friends: Morgan Henderson (congas), James Guastaferro (guitar, bass, keys & vocals), Russel De Mousse (drumkit), Chris Johnson (guitar, mandolin & bass).

Setlist

• Accidental Wilderness
• Dancing Che’s
• Believe Me When I Sip My Lemonade
• Happy to Change
• I See It All
• Eating Philosophy
• Sleep Trips and Falls
• Get Over It
• The Conversation’s Growing
• Good Morning
• Overflow
• Venus Moonrise

Photos

Photos by Esther L Kim and Liz Kenney. Please let us know if you have some good photos of this show. You can e-mail us at aguatrip1 at gmail dot com.

[watch slideshow]