Show us your support and request this song here:

http://www.1.fm/Station/indie/SongDB.aspx?search=Agua+Trip

The more we request the song, the more it will be played — and the more the world will be able to enjoy our music.

THANK YOU!

-Agua Trip

Audio

Also, just so you aware, there is an issue with the audio in the song, so it sounds different than the album version. We think it may be due to the podcast losing either the left or the right channel. So, it sounds a little emptier than it should.

We have two songs and an album up for a 2009 AMMA Award.  If you want to see us take home these awards, please vote for our music, at http://www.jotform.com/form/83562028201.

Click on all three AGUA TRIP entries on the same form:

AGUA TRIP – Genetics – Album of the year
AGUA TRIP – Little Life – Reggae song of the year
AGUA TRIP – In the Sand – Song of the Year

and Submit the form.

To avoid any surprises, AMMA stands for “American Marijuana Music Awards”. You don’t need to give them any personal information if you don’t want to. Their site isn’t dangerous.

Thanks for your support!!   PLEASE TELL ALL YOUR FRIENDS TO VOTE TOO.

___________________________________________________________

Music | November 19, 2008 – 8:52pm

Defying All Musical Expectations,

Agua Trip’s Music Holds Water

by Arielle Concilio

With a name like Agua Trip, a wary listener might expect a ’60s psychedelic-experimental band straight out of Haight-Ashbury.

In actuality, Agua Trip’s music sounds nothing like this, but instead hints at a wide array of familiar genres, simultaneously sounding like a little of everything, and like nothing you’ve ever heard before.

“We don’t fit in any genre,” said Lindsey Boise, one of the founding members.
The band met in 2000 at Austin Peay State University in Clarksville, Tenn., and consists of Boise, who was a student there, and Bill Carrasco, who was a professor. “I just went right up to him, started talking about music, and was like, ‘Let’s make a band!’” said Carrasco. The duo immediately began playing together and recorded their first demo, Baseado. In 2002, they decided to move to New York. Carrasco’s sister lived there, and her dance troupe was interested in buying and using Agua Trip’s music for classes. Agua Trip soon began playing at venues and benefits around the city, including a couple of gigs at Barnard-where Carrasco now works as a science-internship coordinator. They released their first album, Breakfast Translations, in 2005.

“Our music has a lot of layers to it,” said Boise, “it’s constantly shifting.” According to Carrasco, their sound ranges from “world influence” to alternative, pop, rock, and Latin, and their influences include the Beatles, Ben Harper, and Manu Chao. Much of this musical inspiration relates to the band’s musical experiences growing up. Carrasco first picked up guitar while living in Mexico, and cites Mexican culture as a major source of creativity. He grew up listening to Mexican folk music, while Boise grew up with a father in the music business who hand-made his first guitar. Both also have an affinity for foreign tongues-Carrasco speaks Spanish, French, and Portuguese, and Boise speaks French, German, and even a little Ancient Greek. Their music captures this passion for foreign cultures, which may be heard in the melodic mandolin of the song “When the Furious Leaves,” and syncopated rhythm of reggae tune “Little Life.”

Both of these songs, from Breakfast Translations, are “less chorus-heavy,” said Boise, than the new album Genetics, released two weeks ago. On the new album, “we do these weird sound collages … We didn’t care about the bass being consistent,” Boise continued. As Carrasco put it, the album has a “more light and positive feeling.”

Though the band experimented with new stylistic techniques on Genetics, one aspect that has remained prominent is collaboration. “When we record, it’s mostly me and Bill, but after, we bring in other people and have jam sessions,” said Boise. Many friends and fellow musicians are also invited to perform at shows with the band. Some of them were featured at the album-release concert at the Sage Theater on Nov. 5. For the event, Agua Trip asked other artists to work with them in creating an individual piece of art for each song on Genetics to create a visual songbook and make the music “come more alive,” said Boise. Each piece of artwork is currently being auctioned off of the Agua Trip Web site, with half of the proceeds being donated to Connect, a New York City-based, non-profit organization dedicated to ending gender violence.

In addition, the band organized an event in 2006 called the Moveable Feast, a showcase of artists, musicians, and writers who all came together to support one another’s work. Agua Trip believes self-promotion is the best way to get music heard, and they apply this philosophy consistently. “We do all the songwriting, the recording, the mixing, the publicity, everything,” explained Carrasco. “We’re trying to create our own network,” Boise said.

While the band remains unsigned, Boise and Carrasco have differing opinions on obtaining a record contract. Carrasco would “love to [sign with a label] if given the opportunity,” while Boise believes the duo is “self-sufficient enough without one,” and would only consider signing “depending on how much creative freedom they would allow us.”

Either way, the two both hope that their music will inspire and satisfy its listeners. And, record deal or no record deal, Agua Trip has no plans to stop making music any time soon.

On October 25th, London Garcia opened up her new run on LATalkRadio by playing some Agua Trip on her show.

Listen below to the radio show. One of our songs appear in the middle of the show.

She is doing a great job at getting the word out.

We’ll be sponsored through December.

Go check it out at http://jasonkirk.net/blog/?p=418 and don’t be afraid to comment!